Entertainment

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The Avengers have reassembled! This weekend saw the first major opening of the summer blockbuster season (although, you know, technically it’s still Spring).

The superhero sequel to its highly successful and acclaimed 2012 predecessor brought back loads of the same witty banter and provocation between the group of far-from-perfect heroes: Captain America, Iron Man, Thor, Black Widow, Hawkeye, and The Hulk.

We also saw the introduction (and departure) of several new fascinating characters from the Marvel Universe, such as Quicksilver, The Scarlet Witch, Vision, and of course, the morbidly villainous Ultron.

Age of Ultron does a fantastic job of reintroducing us to the group of heroes, while also acting as a distinctive plot point for these characters in the Marvel Cinematic Universe before progressing into the following phase of its Film Universe: Captain America: Civil War (2016), Dr. Strange (2016), Guardians of the Galaxy 2 (2017), Thor: Ragnarkor (2017), and finally, the two Avengers: Infinity War films being released in 2018 and 2019. Because several key members of the Avengers will not be returning for Infinity War Pt. 1 and 2, Age of Ultron has introduced us to the new Avengers that will be filling some very large shoes (metaphorically and physically).

This is in addition to the circulating rumors that Spider-Man will be joining the Avengers by the time Infinity War rolls around, along with a merging with the Guardians of the Galaxy. Still, we’ve got three years to see how exactly that plays out.

As a sequel, director Joss Whedon has been very effective in reutilizing the techniques he introduced in his first Avengers film.

Particularly in terms of balancing explosively breathtaking action scenes and the humanization of the characters in these scenes, showing that they are real people behind their masks and powers—sometimes defined as character flaws rather than supernatural talents.

Age of Ultron also has much more heart and an expertly developed storyline than its predecessor, and major props have to be given to Whedon for this accomplishment.

He is undoubtedly a master of his art, and Age of Ultron is his perfect love letter to his directorial departure from Marvel. However, Age of Ultron sometimes feels much too familiar to its predecessor to fully appreciate as a whole—laughs, explosions, plot-twists, and repeat. While this makes for a highly entertaining superhero film, it almost feels formulaic being this is the 11th installment of the Marvel Cinematic Universe.

Nevertheless, Age of Ultron is an undeniable achievement for comic book cinema and a compelling setup for Marvel films to come.

Age of Ultron opens with a stunning fight scene presented in one continuous long shot, going from superhero to superhero as they take down multiple attackers at once, each shooting witty quips at one another during the battle.

We ease back into their uniquely electrifying dynamic, and it is truly a marvelous feat.

They are raiding a Hydra outpost in hopes of retrieving Loki’s scepter, where they encounter twins Pietro and Wanda, better known as Quicksilver and the Scarlet Witch.

Pietro is cunning in his trickery as is Wanda, who enchants several of the Avengers with perturbed visions of their past or future.

Upon retrieving Loki’s scepter, Tony Stark and Bruce Banner (AKA Iron Man and the Hulk) are seen discussing one of Tony’s newest promising ventures—artificial intelligence.

As expected, Tony acts selfishly and recklessly (can you tell I hate Iron Man?) and his A.I. program wreaks havoc at one of his lavish evening parties.

This is when we first encounter who is possibly the darkest and most sinister of all of Marvel’s villains to date: Ultron.

Ultron’s dialog is gritty, macabre, and flows like poetry. He speaks of rebirth yet understands only death and destruction as a means of achieving this.

Much of his contemplation and logic reflects that of Tony Stark, given he was experimenting on his own thought process before initializing the Ultron program—a program meant to provide global security though the use of artificially intelligent machines.

This logic, however, becomes skewed in Ultron’s cognition, to which he deduces global genocide to be the only true form of Earth’s redemption, due to the consistent fallacies of the human race.

We have Tony Stark’s cynical mentality to blame for Ultron’s reflective nihilism. (Did I mention I hate Iron Man?) Ultimately, it is up to the Avengers (and one intriguingly captivating new character named Vision) to defeat Ultron and his army before he decides to eradicate the entire human race, because by A.I. mentality, that’s exactly what we deserve.

The Avengers: Age of Ultron is everything a sequel should be. It not only keeps the momentum as high as its predecessor, but it improves on its character development and humanism.

The Hulk and Black Widow are no longer simply portrayed as such—they are Bruce and Natasha, who are in love and must deal with both inner and outer demons in an attempt to have a genuine, working relationship.

We also get an entire backstory for Hawkeye as well, as we learn that Clint is in fact married and has children—shocking all the superheroes as well as many audience members unfamiliar with his character.

Age of Ultron is as heartfelt as it is vehemently intense as a whole, in addition to its never-ending satire and highly quotable one-liners.

Though never quite acquiring its own sense originality, Age of Ultron is undeniably impressive and lively.

Furthermore, it marks a very distinct point for the MCU as a film and where the plot will progress from here. Those smart enough to stay after the end credits (which should come with no hesitation to any Marvel fan) will get a very fitting introduction for where the story is headed in Infinity War.

Unfortunately, we’ll have to wait until 2018 to see the Avengers back in action.

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“Unfriended” made $16 million across 2,739 theaters since the release.
“Unfriended” made $16 million across 2,739 theaters since the release.

This year has been incredibly lax for great horror films, and disappointingly so. Not only has there been a limited number of releases for the genre, but the quality of many of this year’s releases have been tedious and less than mediocre—with perhaps the only exception being David Robert Mitchell’s “It Follows.” And yes, I’m very excited for the upcoming Sinister 2 and Insidious: Chapter 3. But as far as modern horror with original style and creativity goes, Unfriended broke an interesting mold in the genre, and will likely influence horror to come.

Taking place entirely in real time on the protagonist’s MacBook computer screen, Unfriended treads new water for found-footage cinema by depicting the genuine feeling of being on your laptop, or really, the feel that you’re watching someone browse through Facebook, iMessage, Skype, YouTube, Spotify—you name it. I think she has Jezebel on her bookmarks bar. The movie has believable progression due to its relevance on our age in technology and the cliché terms we all hear or say to one another. There have been few other films that have previously utilized this “computer screen found footage” approach—The Den, V/H/S—though none have done it as expertly paced and intricately stylish as Unfriended.

This film is undoubtedly a timely horror film for the social media generation, making generous odes to the sites and apps mentioned above, in addition to Snapchat, Instagram, and ChatRoulette. While this makes for an entertaining experience, the film holds the distinct mark of today’s relevant technology, dissenting it from ever being considered timeless. It will definitely be regarded a cult classic for our generation, much like Paranormal Activity was eight years ago. It also holds a similarity to The Ring. Ultimately, Unfriended is a relatable and shockingly dark experience, which is what allows it to get under the skin of the social-media-obsessed, myself included.

Unfriended opens with a cluttered Macbook desktop screen—a setting that will remain for the film’s entirety. Our protagonist, Blaire Lily, is watching the suicide video of Laura Barnes, a girl who shot herself in public due to online bullying. This was recorded exactly one year prior to the events portrayed in the film. Before committing suicide, photos and videos of a highly inebriated Laura Barnes were posted online for all to see, including one where she is passed out in a dark alley and the video focuses on her having soiled herself. Blaire closes the screen and we first see her as she’s Skyping with her boyfriend, teasing video sexting before their entire group of friends join the chat as they are undressing. The friends laugh, of course, and all get along with their own individual spark, yet each are a play on the clichéd nature of high-schoolers.

Blaire and her boyfriend, Mitch, keep in contact through iMessage on their computers as they begin to receive sinister messages from Laura Barnes’ Facebook page. Blaire attempts to report the page because she believes a person has hacked it, and when she is unable to, she “unfriends” Laura Barnes—and the film goes psychotic from there. Laura Barnes’ account hacks onto all of the friends’ computers and forces them to play a macabre game that grows more and more savage. The film uses glitches and other computer effects to create a unique and boggling experience, and its relentlessness becomes explosive during its second half. It is an expertly paced and wholly unparalleled experience. Yes, it has cliché moments, as expected from horror, but this could also be interpreted as the film’s self-awareness as a play on clichés. Honestly, this all chalks up to: GO SEE IT. IT’S CREEPY AND FUN.

Kylie Jenner Kylie Jenner is not only famous for her family “royalty” but she is famous for her “perfect” ideas for fashion trends. Just recently, social media has been blowing up with #TheKylieJennerLipsChallenge.

Where girls from all over the world attempt to pursue the lips of Kylie Jenner by suctioning their lips into a glass. Which then makes their lips fuller, and have the allusion of liposuction.

Is it really worth the time and even the risk of serious damage? You would think it would just be a waste of time and nothing bad could possibly happen.

This however has been strongly proven that it can go wrong, very wrong. According to Teen.com, 21 people have proven this, they tried and miserably failed the challenge with horrible lip infections.

The end result is bruised and a lip infection. One guy that goes by the name lookthisnuggets on Instagram even posted that he failed the challenge worse than anyone.

The shot glass shattered over his lips slicing his top lip in half.

After seeing these horrific photos, which if you haven’t seen, you really should.

Before you consider seriously injuring yourself. Is it worth the time to look like you have fuller lips and injure yourself?

Might as well do yourself a favor and just buy some lip-gloss for a few bucks, that can make your lips  full and not bruised and sliced in half. You could even use lip liner to make the illusion of fuller lips.

There are safer ways to attempt this look everybody. Lets not split any more lips. Stay safe and away from glass.

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Ever since hitting indie theaters earlier this year, “It Follows” has been receiving an immense amount of critical acclaim, going as far as being deemed “the most terrifying horror film of the past decade.” Due to its extensive positive praise and high-grossing status, the film was expanded to a wide release this past weekend for all to enjoy, and it did not disappoint. “It Follows” has an ominous and simplistic plot, yet it is a difficult film to discuss without sounding ridiculous. It is important to note that the film is deeply metaphorical and requires a great deal of patience, but if given the time and post-viewing analysis it deserves, it will undoubtedly leave a great deal of viewers paranoid and highly unsettled. After a brutally unsettling opening scene, we meet the protagonist of “It Follows,” Jay, as she calmly floats in her backyard pool. Jay is a pretty, calm-mannered teenager with a close-knit group of friends. She’s currently dating a mysterious boy named Hugh, and during their date one evening, he panics and forces them to leave the theater they are attending. Jay, however, is so enamored by Hugh, that she looks past his erratic behavior and continues to see him. On their following date, they drive out into the woods and have sex in the backseat of his car, and as Jay lies in the backseat discussing her childhood dreams of being with a cute boy and having a sense of freedom, Hugh attacks her from behind and puts her to sleep with a cloth dosed in chloroform. Jay awakens tied to a chair, terrified by what Hugh will do to her. He promises her he has no intentions of harming her, but rather tells her she is in danger. He discloses that during intercourse, he “transferred” something to Jay—a supernatural entity that will hunt her down and kill her unless she sexually transmits it to someone else. “This thing… it’s going to follow you,” he tells her. “Somebody gave it to me, and I’ve passed it to you. Wherever you are, it’s somewhere, walking straight for you. All you can do is pass it along to someone else.” The entity first appears to Jay while she is with Hugh in the form of a naked woman, as he tells her that only those that have been infected are able to see the entity, himself included. “It could look like someone you know, or it can be a stranger in a crowd,” he continues. “Whatever helps it get close to you.” The entity, essentially, can shapeshift into a person of any age, race, or gender, and will walk towards the infected until reaching them and killing them. If Jay is killed, the entity will attempt to kill Hugh again, and return back down the line of all those who have sexually transmitted it beforehand. Jay begins to see the entity everywhere after that night, in the form of an elderly woman, a deformed man, and young girl, among other incarnations—always hauntingly walking straight toward her. Her only choice is to run from it, though it is impossible to ever escape it. Her friends seemingly play along at first, taking shelter in distant cabins and beaches, doubting Jay’s sanity as she begs them for help. They soon discover that the entity is altogether real during a supernatural experience where they see an invisible force grab Jay from behind and fling one of their friends backwards, leaving a demonic, hand-shaped bruise on his torso. The group then agrees to do whatever it takes to keep Jay safe, and soon construct a plan to kill the entity before it takes her life. Simply put, “It Follows” it easily the most effective and spine-chilling abstinence film ever made. Its metaphorical stance on safe sex and the spread of STIs are palpable and visceral, and yet, the film is so much more than that. It has the look and feel of a teen horror film from the 80s, with a sinister and atmospheric mood along the lines of the work of John Carpenter and Wes Craven. The film also has a gorgeously dreamy and nightmarish soundtrack echoing 80s horror synth-scores, adding to the film’s suspense and intensity as it progresses. Essentially, “It Follows” is as much a horrific experience as it is a subtle one. Although it builds suspense expertly, it is not a film with any large payoff, climax, or conventional jump-scares. Nothing in the film is overdone and it does not provide a sense of closure. For this reason, “It Follows” is a film that will appeal more to audiences looking for something outside the typical horror norm, where everything is allegorical and nothing is spoon-fed. That said, “It Follows” may not be the most terrifying experience you will have in a theater all year, but rather one that begs to be deciphered and judged as a whole. One thing, however, is for certain—many will be looking over their shoulders and practicing safe sex for quite a while after viewing.

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A little girls dream comes true sooner than most dreams. Lía Edlin Miller, 8, from East Northport is now a fashion designer, according to the Sun Sentinel. This blows my mind, at eight years old I was playing with Barbie dolls and dreaming about becoming a pop star. In no way did I think I could fulfill it in the year I was dreaming of it. This is a true dream come true. She began to learn how to sew as soon as she decided she wanted to become a designer. “I love to be colorful. I like to use blue and purple and pink. I love deciding what I’m going to make and how I’m going to make it. It makes me feel so good that I did it myself,” Miller tells Sun Sentinel. Her mother then entered in a New Jersey Fashion Week design competition that took place in September at the Crayola Experience in Easton, Pennsylvania. After Lía participated in this competition she wanted more of a challenge. She later jointed designers from all over the world in the Plitzs show. Lia was the youngest designer in the showcase before her was a 12 year old. Lía presented 10 of her outfits “Lía’s Stardust Designs.” They included a jumpsuit, maxi dresses, pants outfits and skirt sets. Her mother explains to the press that she isn’t looking to get a major job right away but to get her talent out there. “Do I think at 8 years old somebody’s going to pick her up? Not necessarily. Is it exposure in that people see her being out there? Yes,” Miller’s mother said. This little girl’s story is so inspirational for every little girl out there with a dream. Even myself at twenty-two years old she is an inspiring everyone that if you make initiative anything can happen. She had a dream and went for it; she knew sitting around to grow up wasn’t going to do anything if she just sat waiting. An eight-year-old is teaching us life lessons, ironic.

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Chris Perez sees the Fiesta de la Flor design for the first time.
Chris Perez sees the Fiesta de la Flor design for the first time.

Twenty years later all of South Texas mourns the death of Tejano legend, Selena Quintanilla on March 31.

In memory of Selena’s life, Corpus Christi, the hometown of the Quintanilla’s, will be celebrating Fiesta de la Flor on April 17 and 18. The celebration will have music and Selena festivities to represent her life.

The event was coordinated by Corpus Christi events and not by the Quintanilla family. Selena’s father, Abraham Quintanilla and family will not be celebrating due to their religion as Jehovah’s witnesses.

“Of course I’m happy that, today, people remember Selena more than ever,” Abraham Quintanilla III said via phone from his office in Corpus Christi. “But, as Jehovah’s Witnesses, we don’t celebrate deaths or birthdays, and we don’t want people to think we’re behind all the festivities.”

“It’s crazy. It grows every day with events everywhere, but we’re not organizing them. Our family never got together every year on the day of her murder, because there’s nothing to celebrate, and this year won’t be the exception,” he added. “We remember our daughter every single day. We don’t need a special day to remember her.”

However her husband, Chris Perez has said he will be attending the event to see all of the fans celebrate. In 2012 Perez published a book about their life together.

“It went from something that I tried to downplay to something I’ve gotten comfortable with,” Perez said. “To be able to go out there and talk about it and see the love that the fans have 20 years later, is inspiring.”

Perez said he will take the opportunity at Fiesta de la Flor to be with the fans and feel the love they have for his wife.

Fans celebrated Selena’s life on social media as well as Corpus Christi festivities near her neighborhood. The celebration of the iconic Tejano star will continue at the Festival, Fiesta de la Flor with the city of Corpus Christi.

Stiller and Wilson take the runway at the Valentino show.

Blue steel is back!

For Paris Fashion Week, Ben Stiller and Owen Wilson strutted the runway at the Maison Valentino show, where Ben Stiller announced the sequel of Zoolander.

Zoolander, the 2001 comedy is about Derek Zoolander, played by Ben Stiller who is VH1’s three time male model of the year. Hansel, another famous model wins the award instead. This turns Zoolander’s world around.

He retires to find himself and gets hired by an evil fashion guru, Mugatu, played by Will Ferrell. Zoolander thinks things are great working with Mugatu but finds out that he was brainwashed by the designer to kill the Prime Minister of Malaysia.

Zoolander takes on this ridiculous but very entertaining journey to stop from killing the Prime Minister.

Stiller and writers have been discussing the sequel for some time now. Due to the 14 years passing, it was hard for them to just pick up where they left off with the storyline.

However this isn’t stopping Stiller and Wilson from bringing back their infamous roles as supermodels. The movie will start as if it’s 10 years later and the models have been completely forgotten.

“In the fashion world, if you go away for a year, it’s changed it just happens so quickly. I think the idea in the beginning of the movie is that it’s 10 years later, and Derek and Hansel are literally forgotten. Nobody remembers who they are, so they have to reinvent themselves,” Stiller says in a MTV interview.

As the sequel has progressed, the writers are finding the actors to fit the roles, just last fall Penelope Cruz had joined the cast. As well as Will Ferrell who will be back with his fierce and hysterical role as designer, Mugatu.

This sequel is so exciting especially for those early 2000 movie lovers.

The late 90’s and early 2000’s were the best comedies so it’s great to see them coming back. According to a tweet from Paramount Pictures, the film will release on February 12, 2016.

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Chappie is now in your local theatre.

Artificial intelligence has been a common theme in the science fiction genre for almost a century, whether in plays, novels, television shows, or of course, cinema. The moral implications of creating sentient robotic life, or rather, robotic life that can cognitively think and feel emotions like a human being, have also long been portrayed and debated. For the most part, classics like 2001: A Space Odyssey to this weekend’s newest sci-fi thriller, Chappie, have taught us one thing: dabbling with artificial intelligence does not end well. Don’t do it. Everything that can go wrong will go wrong. In this sense, Chappie isn’t really treading any new ground, but that doesn’t take away from the film being a playful, satirical, and gory good time.

Chappie starts off promising enough, set sometime in the future in the South African city of Johannesburg, where armed and armored robots are utilized as police forces, greatly reducing the crime rates in the city and saving numerous civilian lives. The inventor of these robots, Deon Wilson (played by Dev Patel from The Newsroom, Slumdog Millionaire), is reaping the success of his creations, yet his sights are set on something of a much larger nature: sentient robots. For over three years, he has been working on software to create a robot that can rationalize and experience emotions in the same way humans can. After long nights of vigorous reconfiguration, Deon finally cracks the code and immediately goes to the CEO of Tetravaal, the company creating and distributing said police robots, for permission to integrate the program into one of the robots as a personal experiment. After being turned down, he sits gloomily at his desk as he stares at an inspirational cat poster pinned to his wall, providing the emotional breakthrough he needs to rebel against the company and create his own sentient robot. Looking past the glaring ridiculousness of this scene, Deon manages to steal a robot from the factory before being mugged by a group of thugs with the intention of threatening Deon to shut down the robotics program to perform a heist.

Yolandi and Ninja from the popular rap-rave group Die Antwoord play outlandish, criminalized versions of themselves in the film, forcing Deon to revive the robot with his sentience software, and here begins the life of Chappie. Deon’s software appears to be a success, and much unlike the hardened, police-trained robots utilized in the country, Chappie is immediately afraid of his surroundings, hiding beneath a counter like a small child. Chappie is an innocent, adorable robot that learns to speak, act, and love like a real human, and it is a true feat to watch. Of course, it is not long before he is corrupted by the hardened criminals he is surrounded by, spouting vulgarities in a manner that is much more humorous than it is offensive. Much to Deon’s discontent, Chappie is soon sporting gold chains, walking like a thug, and performing a series of robberies, yet he always maintains an air of compassion and innocence, unaware of his wrongdoings. The juxtaposition of Chappie’s kindhearted nature with the cruelty of the real world is both gripping and distressing to watch, particularly as he tries to make sense of the world around him.

Chappie is one of the funniest and cutest robot entities to exist in both classic and modern sci-fi, and that in itself makes the film worth a watch. Additionally, Hugh Jackman playing the jealous and villainous Vincent Moore adds a vividly dark layer to the film as it progresses, leading to a violent and dauntingly climactic finale. As a whole, Chappie is a highly entertaining film with loads of laughs, explosions, and heart. However, it remains quite simple-minded as a story, never truly making any sort of original or foreboding statement about the dangers of artificial intelligence. At the end of it all, Chappie is an amusing popcorn film for sci-fi fanatics, but it is by no means a thought-provoking one that will linger with audiences after it is over.

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Larry Savoy and Jesse Cassiano warm up for the opening performance.

Cheating, screaming, dramatic entrances, you name it: Medea has it. The play Medea playwright by Euripides opened last night in the Little Theatre of Texas A&M University- Kingsville. It was directed by Dr. Patrick Faherty, theatre professor, and Anya Pena, assistant director.

Faherty’s production of Medea was intense and unexpected, which is what Medea is: crazy. Medea has always been my favorite play because though it is ancient, it’s still as dramatic in modern time.

Medea is married to a man named Jason and they have two children. Jason cheats on Medea with a princess of their country, Creon’s daughter. Jason does this to gain royalty for his family but Medea only sees it as betrayal. Medea goes crazy, as any woman would and goes a little overboard.

I already read the play in the past, so I had an idea of what scenes they would include. The one thing I didn’t expect was the audience setup which was set-up as “thrust theatre,” which involves the audience being surrounded by the actors in three ways and the fourth being the background.

This was my first time attending a play at the Little Theatre in that set-up. It was interesting and definitely a good choice for the play so that the audience can feel the many emotions throughout the play.

The other cool part was that the audience were her children. The actors would talk to the audience as a part of the play and even interacted with them by touching their faces or talking directly to an audience member, so it was a good tactic to keep the audience interested.

Medea, the star of the show, was played by Desiree Putnam. Putnam portrayed the character perfectly. She was loud, angry, and entertaining.

As for costumes, I felt like Medea was too modernized compared to the other characters.

However, I don’t know what the character costume really requires considering Medea is ‘foreign’. Where she may have come from might have different attire, but the costumes for the other characters were a good choice and portrayed the Greek aspect.

Jason, the bad guy of it all, was played by Larry Savoy. He was right for the part being that he was a jerk throughout the play but should have been a little more aggressive in his voice. He was physically aggressive, as Jason is very aggressive. He just needs to show more aggression in his voice, to really make the audience hate his character.

The overall performance was solid and had great actors. It is a play I would definitely see again. The performances will continue March 12-14 at 7:30 p.m. in the Little Theatre and 2:30 p.m. on Sunday.

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Mnozil Brass performs their new show, 'Yes, Yes, Yes!' to TAMUK in Jones Auditorium March 4.

The Mnozil Brass group visited Texas A&M University-Kingsville and was met with a nearly full house at Jones Auditorium on Mar. 4, which consisted of not only TAMUK students and faculty and the Kingsville community, but even students from outside the area.

The Mnozil Brass is an Austrian Brass septet, who play jazz, classical, pop, and many other styles of music using traditional Brass instruments.

“We play applied brass music for people from all walks of life. We face every challenge, no tone is too high for us, no lip is too hot and no music is too inferior. You can see our music and you can smell the stage performance,” the group’s slogan states.

The band bega their journey in 1992 in Vienna in Josef Mnozil’s tavern, where they got their name ‘Mnozil’. The band has become so well-known that they hold more than 120 concerts a year all around the world.

“They are very entertaining and they are different too, it’s really cool to see. I think it’s a great experience for our students, this is something that people would have to travel to San Antonio or Houston to see,” said Erin McClure, student activities director.

Unlike traditional brass performances, the Mnozil Brass is theatrical.

“I think it’s great, they are stellar players. They don’t just stand and play, some are very good dancers too,” said Dr. Kenneth Williams, professor of music and director of choral activities.

The event, which was planned for over year a year, brought in many students throughout Texas.

“About 500 high school and middle schools were there. Over 900 seats and I’d say there were 9 or 10 left,” McClure said.

Ramon Nino, Mariachi director at Northside High School in Fort Worth, said he and his group were performing in Austin and thought they’d stop by in Kingsville to see the Mnozil Brass perform.

“My students have never seen a performance like this before. We›ve seen a lot of YouTube videos of their performances and we heard that they were playing and decided to come out being close by,” Nino said.

Nino’s mariachi students aren’t used to seeing performances that are less serious and fun, he said.

“The musicianship was just amazing, the kids were overwhelmed with how great they play but they love the comedy aspect of it. It’s such a good show, the music was phenomenal but the show was just amazing,” Nino said. “It’s rare

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